Read online book Critical Editions: Henry V pt. 1 by William Shakespeare PDF

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"A quite wonderful ideaSo blindingly obvious, I can't understand why nobody had thought of it before. I will certainly use the texts myself."-- Sir Peter Hall, During Shakespeare's lifetime, I Henry IV was his most popular play, and today, as in the 1590's, Sir John Falstaff towers above Shakespeare's other comic inventions. This edition of the play considers the work in the context of the various critical approaches which have been applied to it, offers a history of the play in performance from Shakespeare's time to our own, and provides useful information on the historical background of the play. Readers will also find detailed commentary on individual words and phrases, and selections from Shakespeare's sources., FOLGER Shakespeare Library The world's leading center for Shakespeare studies Each edition includes: - Freshly edited text based on the best early printed version of the play - Full explanatory notes conveniently placed on pages facing the text of the play - Scene-by-scene plot summaries - A key to famous lines and phrases - An introduction to reading Shakespeare's language - An essay by a leading Shakespeare scholar providing a modern perspective on the play - Illustrations from the Folger Shakespeare Library's vast holdings of rare books Essay by A. R. Braunmuller The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu., Great drama of nobles' rebellion against King Henry, complicated by his problems with his wayward son Prince Hal. Superb blend of courtly intrigue, battlefield action and the wonderful comic interludes featuring Sir John Falstaff., New Shakespeare, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary., No Fear Shakespeare gives you the complete text of "Henry IV Part One and Two" on the left-hand page, side-by-side with an easy-to-understand translation on the right. Each No Fear Shakespeare contains The complete text of the original playA line-by-line translation that puts Shakespeare into everyday languageA complete list of characters with descriptionsPlenty of helpful commentary, The text, with few departures, is that of the First Quarto (1598) edition of the play. Act and scene divisions are not indicated in the Quarto; those of the First Folio have been incorporated, with one exception: scene ii of Act V has been divided into two scenes, with the concluding scenes numbered accordingly. The Third Edition includes expanded annotations. "Contexts and Sources" includes dueling arguments on the play's completeness (one play or one half of a play?) and the naming of a central character (Falstaff or Oldcastle?). "Criticism" includes twenty-four essays-from E. M. W. Tillyard's classic argument of an ordered Shakespearean universe to Graham Holderness's rebuttal to Gus Van Sant's interview regarding 1 Henry IV as the inspiration for his cult film, My Own Private Idaho-nineteen of them new to the Third Edition. The Selected Bibliography has been thoroughly updated., This popular, much-studied drama focuses on the young warrior king -- from Henry's decision to continue the military exploits of his royal ancestors and press England's claim to the French throne, to his nervous watch before the Battle of Agincourt and his role in one of the greatest military triumphs in English history.

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Later chapters consider how these characters have been enacted on stage and in film, interpreted by critics and scholars, and re-imagined by writers in our own time., Portia and Kate, Ophelia and Desdemona, Cleopatra and Lady Macbeth-the beautifully realized women in Shakespeare's plays continue to captivate us, relevant and revealing even today, centuries after their creation.As a designer, he drew upon his training in Chinese watercolor, the aesthetics of his mentors, Jo Mielziner and Boris Aronson, and the post-war developments in German design to develop a new approach to stage design that radically altered American scenography.In order to celebrate the international influence of both writers and offer us new and intriguing perspectives on them, six English-speaking authors have taken inspiration from Cervantes and his work, while six Spanish-language authors have written stories inspired by Shakespeare.Here, in his own words, Lao Tzu offers the eight-one verses that comprise the "Tao," and, responding to each verse, the Bard answers with quotations from his plays and poems.The historical approach of The New Shorter offers a true feel for our rich, subtly textured language.This edition of Macbeth is edited with an introduction by series editor Stephen Orgel.